summaryrefslogtreecommitdiff
path: root/docs/appendix-c.md
diff options
context:
space:
mode:
authorTong Hui <tonghuix@gmail.com>2016-09-28 22:54:48 +0800
committerTong Hui <tonghuix@gmail.com>2016-09-28 22:54:48 +0800
commitb4e4652ee8ba286d0fb34ad5d205a582e949e247 (patch)
tree2b8a22c9a451ce686c6d65dcdf9121e8324add58 /docs/appendix-c.md
parent6913f34369e33429115028a9aca5ca12c990aa07 (diff)
downloadfsfs-zh-b4e4652ee8ba286d0fb34ad5d205a582e949e247.tar.xz
update for better pdf
Diffstat (limited to 'docs/appendix-c.md')
-rw-r--r--docs/appendix-c.md2
1 files changed, 1 insertions, 1 deletions
diff --git a/docs/appendix-c.md b/docs/appendix-c.md
index 360417f..83b16c8 100644
--- a/docs/appendix-c.md
+++ b/docs/appendix-c.md
@@ -6,6 +6,6 @@
这首歌是7/8拍的;这种不寻常的不均匀古怪节奏常常被看成是一种错误。该部分可拆分为三个单拍子,以慢—快—快或3—2—2拍子划分。保加利亚音乐的这种节奏,经常可以拉长,有些音乐家分析这首歌曲可以替代为3—2—3拍子;然而,最后的3拍并不如第一个3拍那么长。搜集并教授这种舞蹈的伊夫·莫罗,倾向于7拍节奏。
-![song-book-jutta-scrunch-crop](song-book-jutta-scrunch-crop-zh.png)
+![自由软件之歌乐谱](song-book-jutta-scrunch-crop-zh.png)